Projects
- [-] Nermo Hotel (Branding) (UI)
Nermo is a hotel in the Hafjell region and has been named Norway’s best boutique ski hotel every year since 2016. They came with the task of a new website, and left with a completely revamped identity bridging the gap from the history of 1877 to the digital age of 2026. An adjusted logotype, new color palette, typography doing a balancing act, and a new shape language, nodding back to a historical way of presentation.
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- [-] Bislett Track Tools (Branding) (UI) (UX) (Coding) (Self Initiated)
is a web-based toolbox for runners who train at Bislett Stadium. Running intervals on the 546m long indoor track has often proved to involve complicated mental maths. To make my own planning a bit easier I’ve previously created myself a set of basic tools. The functionality was decent, but the design was nothing to be proud of. Long overdue, bislett.run has finally been updated with a new design, along with some added functionality. Now all that’s left is actually going running…
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- [-] Offshore Racing Congress (UX) (UI)
is the only offshore sailboat racing rating system that is solely based on science, a complex system with a large amount of information. With completely different categories of people visiting the page for completely different information, a big part of the project was organizing and simplifying the content and user journeys, easing the certificate application process, simplifying the rules overview and organizing the race calendar among other improvements. Along with the new web design we also updated their identity to a modern standard.
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- [-] Kongsberg Agenda (Branding) (UI)
was made during Spring 2022 at DAYTWO. We were approached by Kongsberg Business Chamber to develop the identity, brand platform and web solution for a new event in Kongsberg. This new successor to what had previously been called Kongsbergdagene, had an ambition of becoming Kongsberg’s answer to Arendalsuka – but with a main focus on technology and how integral it is in finding the solutions to world problems – in society, business and education.
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- [-] DAYTWO.no (Branding) (UX) (UI)
While working at DAYTWO, it became apparent that our website was not properly reflecting the skills and offerings of the studio anymore. We landed on a new "curator" concept, mimicking that of the museum, stripping the UI and identity back as far as possible to let the cases shine for what they were. 3 type sizes, 2 weights, black on white (or white on black in dark mode). The result was an increase in calls from new potential clients, citing the new website as a reason for contact. And of course a few easter eggs had to be included.
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- [-] Aurlien Vordahl & Co (Branding) (UI)
more widely known as 'AVCO', is an Oslo based law firm with a broad area of expertise. With the task being an updated identity and new web design we set out to iterate on their previous identity, while still bringing a breath of fresh air. The result is a modern and professional identity and clean web design, including a new custom logotype.
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- [-] Generative Programs in the Context of Design (UI) (Coding) (3D) (Type Design)
was my bachelor's project at Westerdals. It's an exploration of generative programs and how they can be used to create designs in various fields, ranging from type design to architecture. The three programs are coded in Processing and build on each other in each iteration. Blender was used to visualize the output of two of the iterations. The project in its entirety can be viewed here (Norwegian).
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- [-] Databr.us (UI) (Coding) (Self Initiated)
is a DAYTWO side project, presenting data from our ongoing testing of energy drinks. Using code sourced from Stack Overflow we connected one Google Sheet spreadsheet to another, cosplaying as a CMS, and parsed the data into the elements on the website using Papa Parse and Vue.js, neither of which I understand, but somehow still works in our production setting.
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- [-] Kongsberg Technology Cluster (Branding) (Coding)
The KTC project was originally planned to only encompass a single initiative under the Kongsberg Innovation umbrella, but I saw early on that there was potential to create a brand system for the entire family of initiatives. I landed on creating a generative tool turning squares on and off, like computer bits (0s and 1s), in a grid, and then "carving" the 0s out as if using a CNC machine, rounding the inner corners while the outer ones stay sharp. This combined the digital technology and physical machining present in Kongsberg and its technology sector. Now Kongsberg Innovation can easily create new on-brand identities for their new initiatives (currently 3 and counting), without lengthy external identity projects.
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- [-] Rude Type Collection (Branding) (Type Design)
With more and more digital, and even analog, artists rushing to get their piece of the NFT cake, digital artist Trym Ruud needed something of his own to differentiate himself and his Rude Boy's project from other less serious actors. To do this he approached DAYTWO, and more specifically me and Steffen Silseth. By aligning with his existing visual language of 3D modelled boxed toys, we created a set of typefaces aimed at capturing Trym’s visions and the life he has given his toys in their raw, but polished, nature.
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- [-] IF Bilhjelpen (UI)
IF wanted to create a tool to help people through the entire process of buying used cars. From finding the right car to calculating the actual costs involved. For the UX and UI Design, IF turned to DAYTWO. I was involved in the 'Functions' part of the service, cataloging and presenting the different measurements, specifications and equipment found on the used cars. To help guide customers through all the details of the car and explain what the different categories actually mean, I created a set of simple illustrations, based in IF's existing icon library.
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- [-] When Form Follows Function (Print) (Type Design)
During my studies at Westerdals we were tasked with creating a magazine. The content and theme of the magazine we could choose ourselves. I chose to focus on the typography seen in and around various subway systems around the world. Having frequently traveled with the Oslo Metro to and from school, regularly passing the station of Østhorn, sporting a very distinct 'Ø' in the in-train led matrix screen, I set out to create my own interpretation of the typeface displaying the stations of Oslo. To reflect the changing colors of metro lines, I decided on printing the magazine in various Riso colors, each article assigned its own color.
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- [-] Misc work (Branding) (UI) (Print) (3D) (Apparel) (Coding) (Self Initiated)
Various bits from different smaller projects
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Race suit for Lucas Braathen (Photo: Stefan Voitl / Red Bull Content Pool)
(Photo: Mark Clinton)
UI refresh for Chargo
Identity for local music festival
Rendering and 3D modelling for Nordic Batteries
Webshop for Pinheiro.shop
Rendering and interface design for Lift Ocean
Micro identity for 10 km Pacing Bislett (10KPB)
Generative artwork for Out of Office 2025